"Max Gill’s non-gender specific adaptation of Schnitzler’s La Ronde is relevant and imaginative. A physical wheel of fortune governs the action: four actors play the cast of ten and their roles are selected by a roulette. This randomised casting process does not consider race, sexuality, class or gender when choosing actors, crossing established social boundaries and breaking down walls.... (it) normalises and celebrates diversity." **** The Upcoming
"Perfectly illustrates the notion of fate and the indiscriminate nature of attraction." **** Whatsonstage
