​
 'Director Emily Burns puts these strongmen in slick modern-day suits to hammer it home and the parallel becomes all the clearer in Frankie Bradshaw’s set which resembles a political battlefield of glass, chrome and parliamentary green' ***** The Guardian

'Lightboxes descend from above, pressing down on the actors oppressively as they pace around Frankie Bradshaw’s cold, austere set, part sleek office, part high-security prison, all clanging steel surfaces and Perspex walls' **** The Stage
​